Photo By Alicia Rivero / Staff
By Alicia Rivero
Sometimes powerful. Sometimes nostalgic. Sometimes frenetic. The Southwestern College Big Band and Jazz Improvisation Ensemble proved they could swing.
Their most recent gig, “Jazz Sessions,” was a rich mix of jazz, bossa nova and rock that cut right to the chase. In fact, the SC Big Band opened up the evening without a formal introduction as Tim Nunnink multitasked as conductor and baritone saxophone player.
It was a harbinger of what was to come. Don Menza’s driving “Groovin’ Hard” burst forth on the power of trumpets and trombones like an army of archangels announcing their arrival.
Energetic “Vehicle” by The Ides of March was the highlight of the night. Almost 54 years after its original release, “Vehicle” is still a race car lapping less inspired competitors.
A gentle side showed itself. Lovely vocal performances by Rachel Sacks and Tungching Yim were the human element among the powerhouse instruments. Sacks wrapped her arms around the Gershwin classic “Embraceable You” and Luiz Bonfá’s bossa nova gem “Gentle Rain.”
Yim switched on her charisma, launching into “Fly Me to the Moon,” a crowd-pleaser at the packed PAC.
Gloria Parks, the only flute player of the ensemble, did not have the loudest instrument but she pushed through and soared like an inspired songbird during her solos. “Autumn Leaves,” “Song for My Father” and “Cantaloupe Island” were high points for the SC Improvisation Ensemble.
While the diverse selection of songs for the whole show’s program was delightful, the presentation order was a bit jarring. More thought needs to be given to lineup to fully capture the music’s ability to transform and transcend.
“Jazz Sessions” was an excellent production and a great introduction to jazz for students who may be newcomers to America’s greatest contribution to our planet’s music.
